Add a 1.25x adapter to the lens front to achieve a 2x squeeze for more noticeable anamorphic characteristics, for example, the waterfall bokeh.
Turn Any Camera Lens
The 1.25x adapter has an 82mm rear thread. Three step-down rings (67mm, 72mm, 77mm) and a step-up ring (92mm) are offered to match a wide array of popular lenses on the market.
Using the 1.25x adapter on SIRUI Jupiter spherical lenses provides you with signature anamorphic characteristics like the widescreen aspect ratio and blue lens flares, opening up more possibilities for spherical lenses.
Compact & Portable
The overall size and weight of the adapter and lens combination are fairly decent for handheld and gimbal use.
*Click here to check out the Compatible Lens List.
Super Easy To Use
Best Value for Money
The full-frame anamorphic retails for $1,499 each, but now you can get the 35mm and 100mm at a Super Early Bird Price of only $1,279 on Indiegogo.
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Why Choose The SIRUI 35mm/100mm Full-Frame Anamorphic?
Affordable and Lightweight High Squeeze Full-Frame Anamorphic
The 35mm anamorphic is equivalent to the horizontal field of view of a FF 22mm, allowing more elements to be included into the frame, therefore suitable for shooting architectures, landscapes, and tight spaces.
The 100mm focal length has the ability to produce strong background compression as well as beautiful oval bokeh with distinct focus fall-off, perfect for shooting portraits, sports, weddings, and wildlife.
The 35mm and 100mm, along with the previously released 50mm and 75mm, form a versatile lens set for shooting a complete project from different angles of view.
The lightest lens in the lineup weighs only 930g/2lbs, more compact and lightweight than similar products.
Full-Frame! High Squeeze!
Designed for professional anamorphic use, this series gives you 1.6x more on the horizontal as well as more prominent anamorphic characteristics.
Two Aspect Ratios
When shooting 3:2, the lens offers a 2.4:1 aspect ratio.
When using the lens on a 16:9 sensor, you end up with a much wider 2.8:1 aspect ratio, which gives you a lot of flexibility in post if you want to crop the footage to a 2.4:1.
As the 1.6x squeeze becomes increasingly popular, most monitors and cameras currently on the market have a 1.6x de-squeeze capability.
Hit the lens with a light source to create those cinematic blue lens flares.
The 1.6x squeeze gives a little more stretch to the background and therefore, the bokeh gets taller and skinnier. At 100mm T2.9, the shallow depth of field further separates the subject, adding an artistic aesthetic feeling to the footage.
Stunning Image Quality
Matching Color Tones
Uniform Barrel Construction
This lineup comes in RF, L, E, and Z-Mount, working perfectly on professional cinema cameras and popular FF mirrorless cameras.